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Archive for the ‘Antiques Show Information’ Category

Why High Point is Fun for All

Sunday, April 21st, 2013

I think what I enjoy most about High Point is the insane juxtaposition of ideas and goods where ever one turns!

Airplanes and Kwan Yin with root balls!

Root balls have been hot for three years–now seen in every design magazine photo shoot–this time in slow gear, but airplanes are sold out!

Grape hods for the harvest are still hot!

Boot next to Asian pieces

In the next stand you can pray to Mary and Jesus from the world’s ugliest green leather barcolounger–but who am I to judge, this is the third dealer here to buy the bilious thing!

Next stop--1960

By turning around from 1960 you would see Caroline Faison’s continental period pieces, and our booth of period furniture with Donnie’s jewelry and next to us Industrial Chic!

Every dealer seems to be having their best show ever here and the crowd of sophisticated designers has grown hugely from past markets–quite interesting.  Every one is talking about how much work they suddenly have–from famine to feast in the last six months.  The economy does indeed seemed to have turned almost everywhere.

Jewelry Display in our High Point Booth

Friday, April 19th, 2013

We share part of our space with Donnie Grissom of Mt. Pleasant/Charlseston, SC each market.  Here he is in the space now completely set up!

Entrance to Shared Booth

High Point Spring Furniture Market Opens!

Wednesday, April 17th, 2013

Tomorrow is the “soft” opening of the High Point Antique and Design Center’s Spring 2013 show running through next Thursday at noon.  Friday is official opening day for the HPADC and Saturday finds the entire 7.5 million square feet of exhibition space open–and yes, every square inch of space is leased!  Like guessing jelly beans in a jar, how many miles would one walk to see every exhibit!  Fortunately for antiques lovers and vintage design lovers, the HPADC is a manageable space equal to a very large antiques show in a major metropolitan area.

Here are some photos of our booth at the end of today.

Full depth view of Whitehall Booth

The covered area on the left is Donnie Grissom’s fabulous jewelry booth–we share this area at the entrance to the show.  I will shoot a few photos tomorrow when the jewelry is in place to give you the entire effect!

Sideboard and more

The sideboard is George IV, c; 1825-30, of mahogany–a brilliantly robust example from Scotland.

All of the pieces featured in the booth can be viewed in detail by going to our website, www.whitehallantiques.com.

Country French elm dining table

Far end of the Booth

The deer heads are from an Oxford, North Carolina family, as is the deer foot lamp–all 50-80 years old and in gorgeous condition ideal for a mountain house!

Through our gates to the booth beyond filled with architectural fragments and other neat things!

The French clock works perfectly, has a rare double strike system, and on the pendulum children see saw up and down with every sweep of the movement.

George III Chest on Chest and Welsh George III Tall Case Clock from Cardiff

Period French Buffet and Wall Shelf with blue and white ceramics

Tables from drums. George III country chest, and George III Linen Press

Antiques in Alexandria, 2013

Friday, March 8th, 2013

The seventeenth annual Antiques in Alexandria opened in the Waterford (not Watergate!) this evening with good ffod and libations and a modest, interested crowd.  Tomorrow night’s party features the roaring 20′s in a Speakeasy setting and is heavily sold.  Daily hours are 11-9 tomorrow, 11-6 on Saturday and 11-5 on Sunday.  So far we have lightened our load–always a happy way to begin!  Here are some photos of different dealers from many you have encountered in my blog over the year as this show is more concentrated with Mid-Atlantic and New England Dealers.  The mix here is delightful and there are three intriguing Designer Vignettes, borrowing antiques from the dealers to augment and enhance the designer’s various concepts.  Hope you enjoy!

 

Whitehall Antiques booth leading into the show.

Some of the furniture is the same as in Thomasville, but a very different presentation.  The  dining chairs are a different set, as we sold the painted set in Thomasville.  It is always fun to create a different setting as booth sizes vary enormously from show to show.  Here we again have a narrow side aisle but as you will see a huge area on the left outside of the booth.

Narrow right side aisle with fireplace equipment display

Display case shelf

Many new arrivals not yet seen at the shop are displayed on this shelf including 4 c. 1820-40 dog whistles and a cased set of gilt sterling and polychrome enamel Hunt Motif Place Card Holders–all from a Vero Beach collection shipped to us this week to sell on behalf of two sisters who inherited them.  Many of the pieces are still in their James Robinson velvet bags–a superb provenance for such little jewels.  The salad servers are 1799 from Edinburg–again sterling, as is the marvelous London skewer in the fiddle, thread and shell pattern (also George III).

Enameled sterling place card holders in a presentation case

Left aisle view of Whitehall Antiques--the bamboo and country area

Mid-century Modernism

Not yet showing in this fabulous booth by Brennan & Mouilleseaux of Northfield, Connecticut are period American federal furniture as a counterpoint to the mid-century pieces in fresh linen upholstery.

An explosion of great English Porcelain -- The Spare Room, Baltimore

Jackie Smelkinson and Marsha Moylan always have an exceptional array of period jewelry, superb Englis porcelain and excentricities of the tastiest types!  Amazing!

Treasures of Imperial Russia

Another delightful visual feast for the serious collector is Lacey Greer of California’s icons of Russia in the time of the Tsars.

Baldwin House Antiques, Strasburg, Pennsylvania

As one would expect, there is great American furniture in this show–none more spectacular than this tall chest with huge eagle inlays.  Hope you can read the next slide describing this marvelous piece.

Tall Chest Description

That is all for tonight–more tomorrow!  (Gosh it is already “tomorrow”!)

Understanding Life in Georgia Hunt Country

Wednesday, February 27th, 2013

Thomasville, Georgia sits at the heart of the plantation region of  the southwestern part of the state about 30 miles north of Tallahassee, Florida.  Vast single family plantations fill the landscape for perhaps 50 miles in every direction, plantations dedicated to the preservation of the land and its abundant wildlife, yet also dedicated to hunting (quail in particular).  These historic pieces of land range from 7,500 acres for the smaller properties to 40,000 acres for the larger holdings.  This past week during the 24th annual Thomasville Antiques Show I was the very happy guest of one of the wonderful local families who have long supported this antiques show, this gracious Victorian town and this remarkable way of life which has brought the great families of America to annually take up residence for a few months, hunt, party, attend various arts events and simply spend quality time with their families and friends.  Now many have settled into a semi-permanent residency with perhaps some escape during the humid summer months.

I took two photos of a painting in the dining room, painted about 1994 by an artist I failed to annotate–sorry!  What is so interesting is it shows the landscape of towering pines with low ground cover for the quail families to hide and forage.  The hunt wagon is pulled by a mule or horse in a tradition dating back over one and a half centuries.  On the wagon are the dog care team with the pointers in particular caged on the wagon bed until the point of the hunt is reached.   Two dogs have gone on point.  The hunters are a short distance behind them–with guns.  The men on horseback to the right foreground are the guides who know every inch of these thousands of acres!  A retriever is sitting on the wagon seat–one of several that will retrieve the birds once they have been shot.  So there is a tidy division of labor among the hunting dogs–pointers and retrievers.  For three months every year this hunting scene is recreated hundreds of times across hundreds of thousands of acres as it has been since the middle of the 19th century.

A second full photo:

The next photo is fun because it recounts the creation of the painting from the sketch to finished piece.

And here I am being served breakfast while looking across the beautiful landscape from the breakfast area of the dining room!

Thomasville, Georgia Transformation

Friday, February 22nd, 2013

I am always amused when folks say:  ”we can’t have a nice antiques show, we have no facilities” (by which they mean no convention center, no grand hotel ballroom, etc).  And then there is Thomasville, Georgia where the prefab metal buildings normally housing displays of vegetables, rabbits, pigs, roses and more at the fairgrounds are transformed!  Take a tour through this amazing transformation!

Tented facade connecting two "quonset huts"

What those tents are hiding!

The grand entry is through the flanking bathrooms for the fairgrounds, yet look at this magical transformation!

Grand Entrance

Dining area set-up

Tenting in the large metal hut!

All of the lighting was by candlelight from “chandeliers” of cascading fairy lights to massive candelabras.

Side view of our booth

The other side view

Turner Reuter, America's leading sporting art dealer

Katherine Denny Blair--fine English and bamboo!

Katherine also specializes in fine Old Sheffield Plate which covers her banquet table.

William Secord Gallery, America's leading expert on dog paintings

No show is complete without great Asian art and Antiques

More tomorrow with some photos of the plantation where I am visiting as well!

Nashville–WOW

Friday, February 15th, 2013

Nashville was an exciting show with tremendous buying across the entire floor.  The carts carrying furniture, art and garden accessories to the loading docks seemed endless and from our booth at the entrance to the show we watched literally thousands of people carrying out antiques and garden items  (from exquisite plants to bundles of pussy willows).  I wish I had photographed our and other booths at the end of the show–simply decimated.  Here is a photo filled and I will tell you what disappeared to give you an idea.

Off to the Thomasville, Georgia Antiques Show on Tuesday–look for some posts from there!

Center View

From this photo the tall case clock left corner sold, as did many objects from the etagere.  Then the massive Regency sideboard, the French mid-century Maison Jansen table under it, the 18th century Delft jars of monumental size, the pair of Bernard Bloch terra cotta black figures all sold.  Additionally we sold a great watercolor of the Hudson River by Jasper Francis Cropsey painted in 1889 as well as Tiffany flatware, a sterling punch bowl and tray, a wonderful Dutch pastel portrait, bamboo tables, fireplace equipment–just on and on and on!  What fun–it seemed like the 1990′s!

 

 

Nashville Set-up Begins!

Thursday, February 7th, 2013

After unloading our truck last night–Ari haven driven 11 hours from Chapel Hill–we ate dinner at 9 pm and collapsed, beginning again this morning at 9 am!

Here is Ari attaching a southern pine classical period mantle to the front of our booth.

No idea where the water drop looking stuff came from but given the billowing dust from garden construction projects on the floor, it could be monster sneeze drops floating through the air!!!!

A view of chaos!

Here Ari is gluing on a piece of veneer knocked loose in transit–no works in the clock yet–they get installed tomorrow.

Just out the back of the convention center is Broadway with it’s Music City dives filled 24/7 with live groups playing C&W music, etc.  We are on our way to the noon repast (a daily pig out on Jack’s Barbeque).  And here is the entrance:

Does my lunch make you want a midnight snack?

There are six different sauces from which to choose–my favorites are Jack’s Traditional and a Hot and Spicy, both served hot as well!

Nashville Antiques and Garden Show link for lectures, events, hours, and most importantly the dealers!   www.antiquesandgardenshow.com/

Come see us now ya hear!!!!

St. Ann(e)–A Prelude to Cathedral Show

Monday, January 28th, 2013

While we are not taking our current collection of 18th and 19th Century religious carvings and the 17th century Reliquary I showed on the Whitehall Facebook a couple of days ago, this piece seems like a perfect prelude to this week’s show

This sensitive yet eccentric carving was one of the most difficult pieces to identify we have ever encountered. It made no sense that the Virgin Mary was holding Jesus and a seemingly adult girl, as she had only one child and certainly not one older than Jesus.  From priests to scholars and through loads of photographs we hit a wall until a good friend said–”that carving is misidentified, it represents a very small area of deep belief as to the ancestry of Jesus”.  She explained it is of St. Anne, holding her own daughter, the Virgin Mary,  and her grandson Jesus.  Many believe that Mary was also born of a virgin, but the church generally rejects this now:

in the 4th century and then much later in the 15th century, a belief arose that Mary was born of Anne by virgin birth.[7]Those believers included the 16th century Lutheran mystic Valentine Weigel who claimed Anne conceived Mary by the power of theHoly Spirit. This belief was condemned as an error by the Catholic Church in 1677. Instead, the Church teaches that Mary was conceived in the normal fashion, but that she was miraculously preserved from original sin in order to make her fit to bear Christ. The conception of Mary free from original sin is termed the Immaculate Conception—which is frequently confused with the Virgin Birth or Incarnation of Christ.

While this 18th century piece has some flaking, it is extreme;y sensitive carving with entirely original surfaces.  It is likely northern European and it may as well be from a Protestant as a Catholic church, especially since it is generally accepted that Martin Luther found his calling through St. Anne.

It was created as all great 18th century painted surfaces were created–the piece is carved, then a thin layer of gesso is applied and finely detailed, finally the paint and gilding is applied.  The flakes we see are caused by shrinkage in the wood carving, causing loosening of the gesso and leaving only a white chalk like surface on the now bare spots.  Such losses are acceptable to most collectors, preferred to excessive restoration and repainting.

Cathedral of St. Philip Antiques Show

Monday, January 28th, 2013

Tomorrow we drive down to Atlanta for this wonderful and venerable  antiques show.  Here is a link to the website for all of the exciting activities.  I will post several reports from the show!

www.cathedralantiques.org/

and their Facebook:

www.facebook.com/antiquesshow